![]() ![]() ![]() This soft-spoken, lifelong friend of Mel and Dorothy helps maintain the archives and manages the Social Media for Lumonics Light & Sound Gallery in Northeast Denver. Touring the Tanner exhibition at MOA with Barry Raphael was a real treat. Dick’s novel and performed at MIT’s Media Lab). While gazing at these beautifully crafted and illuminated constructions, I time traveled to the 1970s to 1990s when other innovative artists were exploring new media and aesthetic experiences: sculpting light (James Turrell’s “Danae” Keith Sonnier’s “Expanded Sel Diptych IV” Bill Parker’s “Plasma sculptures”) shaping sound (Christopher Janney’s “Physical Music” series, “HeartBeat,” performed by Mikhail Baryshnikov Paul Earls’ laser drawings and electronic music for operatic productions of “Icarus”) moving us emotionally, conceptually, spiritually with transcendental lightworks (Gyorgy Kepes’s ‘ the wizard of light and motion’ ) creating visionary works of environmental art (Otto Piene’s “Light Sculptures” and towering inflatable SkyArt, “Blue Star Linz”) melding symbolic lights in immersive theater using Virtual Reality (Tod Machover’s opera “Valis” based on Philip K. In the hands and liberated minds of these two adventurous artists, the medium of light, as embodied and expressed in their sculptural muses, delights more than our eyes alone can absorb.Īs this exhibition demonstrates, the creative spirit transcends virtually everything it makes in revealing itself and engaging us with its revelations! That reality becomes even more self-evident when conversing with Dorothy Tanner, the 94 year-old (going on 49) multimedia artist, whose humble wisdom inhabits her most soulful creations. They flow with nature’s most brilliant forms of light-including light-emitting diode (LED)s, which were first manufactured in 1962 and discovered artistically by Dorothy Tanner after 1993. Sensitively curated by Cynthia Madden Leitner, the selection and assemblage of radiant, mixed media sculptures exude a universal lifeforce, like starlight. When I first encountered the art universe of Mel and Dorothy Tanner in the current retrospective exhibition at the Museum of Outdoor Arts, my mind leaped “back to the future”. Join us for a glimpse into the future of business through the lens of a leader who's not just riding the wave of AI, but creating it.Luminous Art Inspiring Our Hearts-n-Minds To Dream With Wonder: Experiencing the Art of Mel and Dorothy Tanner Art This session is designed to inspire, to exalt, and to empower you to return from the conference ready to take decisive action. Eric's journey is a testament to the urgency of adopting AI-first thinking and the transformative power of AI in business. This is nothing like any other technology trend we've seen that's mattered in years."Īttendees will leave with more than just insights-they'll leave with a blueprint for action. He'll share the philosophy that drove him to run a 30-day campaign, after which he made the tough call to let go of those who wouldn't engage with the AI transformation, echoing his stark realization: "I've seen the future. His presentation, "AI or Bust: The Non-Negotiable Revolution," is not just a talk-it's a call to arms for every business leader and team member who wants to remain relevant in the fast-approaching future.Įric will recount his bold mandate for "AI Mondays," where the norm is shattered, and the entire company dedicates one day solely to Gen AI-no calls, no visits, just pure innovation. ![]() In a world where AI is not just an option but a necessity, Eric Vaughan, CEO of IgniteTech and GFI Software, stands at the vanguard of a corporate revolution. ![]()
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